Children, gather around. It’s time for another review of a
film (because Uncle Aaron still hasn’t gotten his Majora’s Mask for 3DS because Nintendo, Amazon UK, and his credit
card company can’t agree that the transaction was made even though I clearly
did it). Instead of getting a review of a game that’s largely irrelevant,
you’ll be getting a review of Jupiter
Ascending instead… which will largely be irrelevant when this comes out
because it’ll have been two weeks old and very likely out of theaters. Hooray!
What is Jupiter
Ascending and why should you see it? Jupiter is the name of our title
character (it’s not just a planet anymore). It’s also the name of the location
where the final battle takes place, must just be a coincidence. Jupiter is a
normal girl with a normal life played by Mila Kunis, so you have to wonder how
she was able to get away with the whole “normal life” thing. Turns out by some
bizarre set of circumstances, she’s actually related to some ancient cosmic
family that owns many planets throughout the solar system (and possibly beyond
that).
Her normal life is uprooted when aliens show up and try to
take her away (by killing her). Everything is changed when Were-Tatum appears
to stop the aliens, swoon Jupiter, and basically be our resident badass for the
remainder of the film. They eventually are forced to go into space anyway,
however, when other hunters (bounty hunters) show up to take Jupiter. The
space-police (sadly, not the Green Lantern Corps) get involved. Jupiter is torn
between three different siblings in this feud for who gets to take over Earth.
Yeah, a lot happens and it all feels like a lot of noise.
Before I start hitting the negatives, I want to point out
that visually and conceptually, this film is very solid. There are a lot of
space-tech-gadgets that are cool to see and the film takes an approach similar
to that of Elysium and doesn’t waste
a lot of time explaining them. It just shows them and uses them, allowing you
to just see how everything works. Show, don’t tell, is an approach more films
need to take and while Jupiter isn’t
perfect at this, it’s certainly better than average films.
There’s also lots of world building that it doesn’t spend a
heck of a lot of time on that I’d love to see more of. I mean, we’re introduced
to so many different types of characters in a relatively short amount of time
and so we don’t get much time to expand on them. The story here feels like it
was cut down and rushed out the door quick in order to make a completely solid
film instead of breaking it up a bit and expanding on things farther. But then
we run into the Hobbit problem where
we have three films acting as one large film and taking your money three times
for what equates to just a third of a story.
I suppose that’s another thing that bugs me is that humans
are in charge of everything on every planet we find them, which is nearly most
of them. But humans are proven to be a weak and pathetic race with their only
notable quality being how underestimated they are, giving them just a slight
bit of wiggle room to luck out of a bad spot. You’d think the other aliens
would have usurped the throne by now and started “Project Kill All Humans.” But
maybe I’m thinking too much like a cynical robot to understand why
meat-creatures of superior build don’t just take this fucker over.
But there are the forced romantic moments between Mila Kunis
and her Were-Tatum counterpart. No, I have nothing against romance in my films.
But when you have expositional dialogue talking about how your “man compass”
always leads you to bad guys or guys who don’t give a toss about you, I’m
starting to think George Lucas wrote this dialogue… or maybe a teenage girl who
is writing her first love story. It’s odd how forced these conversations are
and you kind of what to just tell Mila Kunis to shut up and talk like a normal
person for a bit. Drop the awkwardly stilted dialogue and just say you have a
lady-boner for Channing Tatum. You wouldn’t be the first woman I’ve met to
admit to that and I doubt you’ll be the last.
The pacing of the middle act is bizarre as well when we
finally meet the younger brother and his harem as he tries to stage a fake
wedding to gain inheritance of Earth from Mila Kunis through the wedding. Yes,
this film found time to fit a wedding within all the other stuff happening… WHILE
IN SPACE. And this is why I feel the need for this film to have been broken up
and split up a bit better. Each subsequent film could have been a different
story involving a different interaction with each sibling. But, instead, interaction
is short, cut, and not as deep as they could have been.
I’ve been told this is basically just Matrix in space. But the only thing they really have in common is
that they both have humans as cattle. In Matrix,
humans power the computer world of the Matrix and are completely expendable. In
Jupiter, they provide a natural
resource that allows the space-people to extend their lives beyond their normal
expectancy. Beyond that, there’s not much else I really see in common. Matrix had a deeper metaphor and was a
bit more subtle, but also lacked any real visual appeal with its dated effects.
Alternatively, Jupiter looks much
fresher, more colorful and imaginative, but lacks a lot of substance underneath
all that style. It feels very hallow and lacking of a meaty, or consistent
story to keep things moving at a decent pace.
Jupiter Ascending
is by no means a bad film. Certainly one of the more interesting ones you could
see this weekend if 50 Shades of Grey
wasn’t on your list of “Things to Endure”. But other than that, you aren’t
missing a lot by seeing it. I certainly had fun with it, even if it was hard to
follow the actions or plot during the middle act because it seemed like so many
things were happening at once without any real correlation to one another.
Thank you for reading this week’s Reloading. If you enjoyed our review, please be sure to like,
share, comment and subscribe. We’ll be back with more reviews for you soon. See
ya next time!
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